I made contact with Andrea after a friend had recommended her. At the same time, another friend - Eric Clayton, was shooting with Andrea at a Surry Hills hotel. I'd been assisting Eric do the planning for this shoot. Looking at Andrea's portfolio it was obvious she could do just about anything, but to me, she had a beautiful expressive style which I thought would be perfect for my emotive portrait work. So when I contacted her through her Model Mayhem profile, I proposed this idea to her. I also offered to shoot whatever she wanted to do as I was proposing a TFP arrangement.
Oh, and the name of this story, "Quiet Achiever". A term used a long time ago to describe the quintessential Australian character which is largely irrelevant and plain incorrect these days. We aren't like that anymore, social media and Americanisation has changed it all. So anyway, Andrea still is a quiet achiever, she doesn't do Facebook or Instagram, preferring to go about her business in a more understated way. I like that.
TFP - or Artistic Collaboration?
TFP gets a lot of bad press. It gets abused by people. My take on it is that is the best and only way to work if you care about artistic collaboration. Sure, I can go hire a model for a specific project, and I do that regularly - it works well as I can choose the mode based on his/her looks, ability and other factors. But, if I want true artistic collaboration - meaning my collaborator actually also wants to work with me - to create the same thing - then that's wonderful, and the images that get made will reflect that investment, engagement and level of collaboration. That kind of artistic collaboration is probably the most satisfying part of my workflow - I absolutely love engaging and collaborating around the same set of ideas. I don't know it all and I'm always open, right up to the actual time of the shoot, the incorporate ideas.
Another dimension of this involves the nature of my work - which is often based around emotive aspects. Many genres of photography don't involve that level of connection and presence. Some genres involve an almost routine approach to posing - and a subsequent routine approach to shooting - where neither photographer nor model are really connected. Presence is often not a part of that styler. So, having that level of presence before the camera is much easier when there is a good emotional investment - from both sides of the camera.
I met Andrea at Central station and we drove over to my spot at Cape Banks. It was the least I could do, sh'ed caught the train down from the central coast. Just doing that, demonstrates a large degree of commitment and interest in the shoot and I'm so appreciative of that. This was going to work.
It was a Saturday but as usual, not many folks around. The sun was shining, it was near perfect. We struck up a good rapport on the drive out and I had that feeling wee'd get some great pictures and video today.
The Big Cave
After going through our bags of wardrobe we started shooting in the big cave. Andrea's expression and look was amazing through the viewfinder.