I made contact with Andrea after a friend had recommended her. At the same time, another friend - Eric Clayton, was shooting with Andrea at a Surry Hills hotel. I'd been assisting Eric do the planning for this shoot. Looking at Andrea's portfolio it was obvious she could do just about anything, but to me, she had a beautiful expressive style which I thought would be perfect for my emotive portrait work. So when I contacted her through her Model Mayhem profile, I proposed this idea to her. I also offered to shoot whatever she wanted to do as I was proposing a TFP arrangement.
Oh, and the name of this story, "Quiet Achiever". A term used a long time ago to describe the quintessential Australian character which is largely irrelevant and plain incorrect these days. We aren't like that anymore, social media and Americanisation has changed it all. So anyway, Andrea still is a quiet achiever, she doesn't do Facebook or Instagram, preferring to go about her business in a more understated way. I like that.
TFP - or Artistic Collaboration?
TFP gets a lot of bad press. It gets abused by people. My take on it is that is the best and only way to work if you care about artistic collaboration. Sure, I can go hire a model for a specific project, and I do that regularly - it works well as I can choose the mode based on his/her looks, ability and other factors. But, if I want true artistic collaboration - meaning my collaborator actually also wants to work with me - to create the same thing - then that's wonderful, and the images that get made will reflect that investment, engagement and level of collaboration. That kind of artistic collaboration is probably the most satisfying part of my workflow - I absolutely love engaging and collaborating around the same set of ideas. I don't know it all and I'm always open, right up to the actual time of the shoot, the incorporate ideas.
Another dimension of this involves the nature of my work - which is often based around emotive aspects. Many genres of photography don't involve that level of connection and presence. Some genres involve an almost routine approach to posing - and a subsequent routine approach to shooting - where neither photographer nor model are really connected. Presence is often not a part of that styler. So, having that level of presence before the camera is much easier when there is a good emotional investment - from both sides of the camera.
I met Andrea at Central station and we drove over to my spot at Cape Banks. It was the least I could do, sh'ed caught the train down from the central coast. Just doing that, demonstrates a large degree of commitment and interest in the shoot and I'm so appreciative of that. This was going to work.
It was a Saturday but as usual, not many folks around. The sun was shining, it was near perfect. We struck up a good rapport on the drive out and I had that feeling wee'd get some great pictures and video today.
The Big Cave
After going through our bags of wardrobe we started shooting in the big cave. Andrea's expression and look was amazing through the viewfinder.
Andrea's sheer top/dress worked perfectly in this light.
She had an other lovely vintage looking top with her which worked great too.
Expressive Nude Portraits
I don't shoot many nudes these days, unless it's based around a portraiture type aesthetic where the model's character, emotion and expression is involved. In my opinion, there's a lot of 'art nude' photographs which objectify the woman and leave out the human aspects of that person.
We talked about the use of hair as an element in the photos as it's always been a prime aspect of what I do. I love it, and I love seeing it used in creative ways. Apparently, many photographers ask the model to get all the hair out of their face? Or, "just move that one strand of hair from across your eye..." Hahaha, throw that hair everywhere I say. Andrea found some beautifully creative ways to use her amazing full bodied hair, including creating views that accentuated her incredible lips and mouth.
Photographs don't need to be complex when they are directly about the person in front of the lens. Big grandiose poses just aren't necessary, in fact that only detracts from this style of photography.
Edge of Light
So next we moved out to where the shadow ends on the wave platform. And worked that area of light/darkness. These shots are fluid, model moving, me moving, hunting, searching for composition, poise, expression, sun flare - all at the same time.
Andrea was so relaxed and good at this style. Her movements were so fluid and smooth and expressions varied. Such a pleasure to shoot with her.
Final Sunset Shots
I always finish up at this location with sunset shots, shot in a particular way. There are so many great shots from this set, but I'm saving them for later.
During the final set of stills, we shot video. I'm still editing the video, in collaboration with Andrea, so stay tuned.